Basile de Loose 1809-1885 "Portrait of a young woman and her daughter" oil on its original canvas signed halfway up on the left and dated April 1845, large wooden frame and gilded stucco (112x132)

French School circa 1850, full-length portrait of a troop child in front of a military school in Paris, molded wood frame 38x43

Ferdinand BIROTHEAU 1819- Ec.Fr "Naked men draped, academic workshop work" Pair of oil paintings on canvas signed and dated lower right waxed oak frames dim: 98x79cm

English SCHOOL 19th " Portrait of sailboat vapor English " Oil on canvas, stamp of the collection Jac Remise

SCHRODL Norbert 1842-1912 "Portrait of young woman" oil on canvas with oval view signed and dated 1866 in the lower left, gilded stucco frame of the period (98.5x85)

English school early XIX th "Wolf hunting" oil on canvas circa 1830 black lacquered molded wood frame.

French School of the XIX th, "Animated view of a castle in the south west of France" oil on canvas, wooden frame and gilded stucco - (71x92cm)

Louis Auguste G. LECONTE ROUJOU (1819-1902) "animated landscape along the Loire" oil on canvas signed lower right, wood frame and gilded stucco (68x110cm)

Eugène Verboeckhoven (1799-1881), The Herdsman, Oil on panel, signed lower left, wooden frame and gilded stucco

Basile LEMEUNIER 1852-1922 "two children kissing" oil on canvas signed lower left, stucco frame 51x49,5

Diego VELASQUEZ from "Portrait in full foot of Philip IV in hunter's costume" copy of the nineteenth of the painting preserved at the Prado in Madrid, oil on canvas, wood frame and gilded stucco (dim: 212cm x 148cm)

Joseph Benoit SUVEE 1743-1807 and his workshop "The Vestal TUCCIA" oil on canvas frame molded and carved lacquered and gilded period, back on the chassis several label and numbers including the provenance "Prince Poniatowski collection"
Around 1785, the Flemish painter Jean-Baptiste Suvée painted a Vestal, historical subject that pleased since the early eighteenth century (Jean Raoux, Mademoiselle de Pressy en Vestale, 1725, oil on canvas, 74 x 92 cm, not located ), and particularly in this twilit period of the Old Regime (David paints a Vestal almost simultaneously: Jacques-Louis David, The Vestal, 1783-1787, oil on canvas, 81.3 × 65.4 cm, United States of America, private collection not located). This is a scene representing Tuccia, who, to prove her purity, had to fetch water from the Tiber and bring it into the temple of Vesta.

In a more neoclassical style compared to David (whose Vestal is considered "Greuzian"), Suvée caused a sensation at the Salon of 1785. This theme is also recurrent in the artist because he knows another Vestal Émilie rekindling the sacred fire (1781, oil on canvas, 323 x 422 cm, Paris, Louvre Museum, inv 8073), painted four years ago.

From this oil on canvas, there are several versions. Our is a very good quality without doubt the workshop and a source of prince!