Jacobus Josephus EECKHOUT 1793-1861 "Young woman and her servant with parrot in an interior" Oil on wood signed lower left, presented in gilt stucco frame (102x120cm)

Joseph Benoit SUVEE 1743-1807 and his workshop "The Vestal TUCCIA" oil on canvas frame molded and carved lacquered and gilded period, back on the chassis several label and numbers including the provenance "Prince Poniatowski collection"
Around 1785, the Flemish painter Jean-Baptiste Suvée painted a Vestal, historical subject that pleased since the early eighteenth century (Jean Raoux, Mademoiselle de Pressy en Vestale, 1725, oil on canvas, 74 x 92 cm, not located ), and particularly in this twilit period of the Old Regime (David paints a Vestal almost simultaneously: Jacques-Louis David, The Vestal, 1783-1787, oil on canvas, 81.3 × 65.4 cm, United States of America, private collection not located). This is a scene representing Tuccia, who, to prove her purity, had to fetch water from the Tiber and bring it into the temple of Vesta.

In a more neoclassical style compared to David (whose Vestal is considered "Greuzian"), Suvée caused a sensation at the Salon of 1785. This theme is also recurrent in the artist because he knows another Vestal Émilie rekindling the sacred fire (1781, oil on canvas, 323 x 422 cm, Paris, Louvre Museum, inv 8073), painted four years ago.

From this oil on canvas, there are several versions. Our is a very good quality without doubt the workshop and a source of prince!

Léon ESPINASSE XIX-XX "Two dogs of Mr Le Gaudy" Oil on wood signed lower right titled on the back, gilt stucco frame (48x41)

Italian School of the nineteenth "View of the Bay of Naples" oil on canvas, lacquered wood frame molded (modern 74x48cm)

Victor de Grandchamp XIX "Still life with pomegranates faience and Luth" oil on canvas, (rentoilage) signed dated 1854 on the top right.

French School early nineteenth, rare "View of Puy en Velay" oil on canvas, gilded stucco frame (dim: 71 x 87cm

Andrea Fossati Toscolano Maderno, 1844 - 1919 "The young prince playing with his hawk" Oil on canvas signed 'A.Fossati' lower right frame time.

Edmond DUPAIN 1847-1933 "Venice, boats docked" oil on canvas signed and located Venice bottom left, presented in a Louis XV style wooden and golden sctuc (dim: 97x84cm

Francisco DIAZ CARRENO 1840-1903 "Inhabitants of the suburbs of Madrid" Oil on panel signed lower right and located in Madrid, frame gilded stucco of origin.

Benedict MASSON 1819-1893 "family portrait in Naples Italy" oil on canvas signed lower right, frame in gilded stucco XIX sun: 121x102cm
Bénédicte Masson was born in Sombernon near Dijon on 23 April 1819 and died in Paris on 26 June 1893. He is a painter of history, mythological compositions, allegorical subjects, scenes of genre, portraits, flowers, Of wall compositions. He is a pupil of Lyons Paul Chenavart and especially Paul Delaroche to whom he undoubtedly owes his training as a painter of civil and religious history. Of this painter still very unknown, it is known that he appeared almost every year at the Salon, from 1840 to 1881 and was chosen under the Second Empire to make a great wall composition for the Hotel des Invalides, illustrating the century of Charlemagne.

Charles Euphrasie KUWASSEG 1838-1904 attributed to, "animated seaside landscapes" oil pair on cardboard in gilded stucco frames

French school of the XIX follower of A.J.B VINCHON, reprise of the famous portrait of "Nency DESTOUCHES" oil on canvas of 1829, High Museum of Art, molded frame with channels (85cm x 101cm)