Basile LEMEUNIER 1852-1922 "two children kissing" oil on canvas signed lower left, stucco frame 51x49,5

Hans II Holbein 1497-1543 after Pair oils on copper "Portrait of Henry XVIII and Edward VII" gilt wood frames richly carved in one piece late XVIII (32x43cm)

School of the North "Portrait of pigeon traveler" oil on canvas time late nineteenth

Vincente PALMAROLI Y Gonzalez 1834-1896 "young woman in the storm losing her parasol" oil on wood signed lower right, frame with canals (dim: 50,5x62cm)

English school of the nineteenth "little girl and her doll" oil on canvas oval view in a rectangle frame gilded stucco (Sun: 47x57cm)

Louis Abel TRUCHET 1857-1918 "At the station Saint Lazare" Oil on wood signed autographed lower right, blackened wood frame italy (dim: 39x30,5cm)

Diego VELASQUEZ from "Portrait in full foot of Philip IV in hunter's costume" copy of the nineteenth of the painting preserved at the Prado in Madrid, oil on canvas, wood frame and gilded stucco (dim: 212cm x 148cm)

Charles Paul LANDON 1760-1826 attributed to, "portrait of Procurator" oil on canvas in a gilt frame of Empire period.

Joseph Benoit SUVEE 1743-1807 and his workshop "The Vestal TUCCIA" oil on canvas frame molded and carved lacquered and gilded period, back on the chassis several label and numbers including the provenance "Prince Poniatowski collection"
Around 1785, the Flemish painter Jean-Baptiste Suvée painted a Vestal, historical subject that pleased since the early eighteenth century (Jean Raoux, Mademoiselle de Pressy en Vestale, 1725, oil on canvas, 74 x 92 cm, not located ), and particularly in this twilit period of the Old Regime (David paints a Vestal almost simultaneously: Jacques-Louis David, The Vestal, 1783-1787, oil on canvas, 81.3 × 65.4 cm, United States of America, private collection not located). This is a scene representing Tuccia, who, to prove her purity, had to fetch water from the Tiber and bring it into the temple of Vesta.

In a more neoclassical style compared to David (whose Vestal is considered "Greuzian"), Suvée caused a sensation at the Salon of 1785. This theme is also recurrent in the artist because he knows another Vestal Émilie rekindling the sacred fire (1781, oil on canvas, 323 x 422 cm, Paris, Louvre Museum, inv 8073), painted four years ago.

From this oil on canvas, there are several versions. Our is a very good quality without doubt the workshop and a source of prince!

Italian School of the nineteenth "View of the Bay of Naples" oil on canvas, lacquered wood frame molded (modern 74x48cm)

Victor de Grandchamp XIX "Still life with pomegranates faience and Luth" oil on canvas, (rentoilage) signed dated 1854 on the top right.

French School early nineteenth, rare "View of Puy en Velay" oil on canvas, gilded stucco frame (dim: 71 x 87cm