France nineteenth in the taste of Canova (1757-1822) "The three Graces" ancient test green patina bronze antique

Jean Louis VERDIER 1849-1895 "Landscape with a flock of sheep and cows on a city background" oil on canvas signed lower left in its important frame in gilded stucco (200x145), probably a painting of salon.

Diego VELASQUEZ from "Portrait in full foot of Philip IV in hunter's costume" copy of the nineteenth of the painting preserved at the Prado in Madrid, oil on canvas, wood frame and gilded stucco (dim: 212cm x 148cm)

French School late eighteenth in the style of Greuze, "farmer and son on the farm" oil on canvas in gilt wood frame (73x61,5)

Dutch School late eighteenth "Landscape Bridge in ruins" after the work of Salvator Rosa preserved at the Pitti Palace, oil on canvas signed lower left Adriensen, wooden frame and stucco gilded

Large throne chair in rosewood richly decorated with pinnacles, Portuguese work tops late eighteenth

Screen 4 leaves garnished with tapestry borders Beauvais XVIII (4x52 cm)

Veneer wood table, Swiss or Germany XVIIIth century, sliding and tilting roller shutter mechanism: chess and backgammon (catering)

Ebony frame and tortoise shell of XVIIth century turtle, mirror inside. View: 33.5 x 41.5cm

French School circa 1750 "View of the animated rhin" Oil on panel parqueté signed dated "Claudio Fecit 1652" down in the middle, carved gilt wood frame time XVII (46x40)

Spectacular rocking chair in richly carved stained wood decorated with walking Lions, female bust and masks, covered with embossed leather Cordou, Venetian work of the nineteenth (some accidents

Joseph Benoit SUVEE 1743-1807 and his workshop "The Vestal TUCCIA" oil on canvas frame molded and carved lacquered and gilded period, back on the chassis several label and numbers including the provenance "Prince Poniatowski collection"
Around 1785, the Flemish painter Jean-Baptiste Suvée painted a Vestal, historical subject that pleased since the early eighteenth century (Jean Raoux, Mademoiselle de Pressy en Vestale, 1725, oil on canvas, 74 x 92 cm, not located ), and particularly in this twilit period of the Old Regime (David paints a Vestal almost simultaneously: Jacques-Louis David, The Vestal, 1783-1787, oil on canvas, 81.3 × 65.4 cm, United States of America, private collection not located). This is a scene representing Tuccia, who, to prove her purity, had to fetch water from the Tiber and bring it into the temple of Vesta.

In a more neoclassical style compared to David (whose Vestal is considered "Greuzian"), Suvée caused a sensation at the Salon of 1785. This theme is also recurrent in the artist because he knows another Vestal Émilie rekindling the sacred fire (1781, oil on canvas, 323 x 422 cm, Paris, Louvre Museum, inv 8073), painted four years ago.

From this oil on canvas, there are several versions. Our is a very good quality without doubt the workshop and a source of prince!